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Nairaland Forum / Entertainment / Fashion / The Fashion Thread (2729 Views)
Omotola Jalade’s Outfit To Lagos Fashion & Design Week / Bead And Wire-work , Female Fashion Design/sewing Sales And Training / Lagos Fashion & Design Week 2012 (2) (3) (4)
The Fashion Thread by Alaroro(m): 8:46pm On Sep 28, 2014 |
IF YOU WANT TO GET STARTED IN YOUR DREAM CAREER IN 2016, YOU HAVE COME TO THE RIGHT PLACE! Maybe you've always known what your dream career is — you just haven't discovered how to get started. Or maybe you're not yet sure what your dream career is — you just know it isn't what you're doing now. Wherever you are in the pursuit of your dream career, Koboheights guides can help you get started and succeed. So how does this work 1. Read all the articles on our thread 2. Download our free books and materials 3. Enjoy our antecdotes/testimonials 4. Contact us whenever you have any question And you'll be on your way to achieving your professional dreams We are on Facebook: k.innovative inc Twitter: @koboheightsnaija BBM: 214BE3F5 Nairaland: #BrainExplosion www.koboheights.page.tl/ |
Re: The Fashion Thread by Alaroro(m): 8:51pm On Sep 28, 2014 |
A different look at starting a Modeling career As an aspiring model (new face), there are basic steps that you should take into consideration before starting. The first important step is to know your goals. You should know what kind of modeling you want to do and how big a part you want modeling to play in your life. When you know this, it’s much easier to get started. When you are ready to embark on your journey towards modeldom, you should make sure that you have read enough about modeling and that you know what to expect. As you are doing your research, take some time to find a list of modeling agencies you could contact. This is an important step as by now you should know how to choose a modeling agency that best matches the kind of modeling you want to do. If the modeling agencies of your choice are in a close proximate to where you are located, why not pay a visit to the agency in person. That’s the best way to get a much clearer and more informed picture of the type of agency you are dealing with. To be continued... |
Re: The Fashion Thread by Alaroro(m): 8:52pm On Sep 28, 2014 |
A different look at starting a Modeling career II When you feel confident about the modeling agencies you have found, you should either start calling them or contacting them by email. And this is where photos come in. As an aspiring model, one of your main tasks is to arrange a photo shoot with a reliable model photographer. You want to project a good and professional image of yourself and for that reason it is important to focus on the quality of your photos. If you are unable to have photos taken by a professional model photographer, you could also consider selecting some quality pictures that you already have of yourself. Another effective way of getting exposure as a new model, you could try to find a source on the internet that could list your information and pictures. You should consider listing with one or more websites that offer these kinds of online services or books and tutorial materials for models. provide an excellent way of getting started as a new model, as they offer a great platform for getting connected with the right industry professionals. Agencies will represent new models and then take charge of the models' professional career, as the model will then be contracted to that agency. You should not have to pay an agency to be considered as one of their models, as they will make their money from a percentage of the models future jobs although some agencies have your pay fees for photo sessions etc but that depends on the agent and most times the fees are minimal. It is very important to be informed of this before you start the process of contacting modeling agencies. As long as your goals are set from the very onset of your modeling career, you should have a much clearer and more secure picture of what you should know as an aspiring, new model and should you encounter rejection, do not give up, all new models experience rejection at one point or another, it is just a fact of the business, so stick to your goals, work hard and start connecting with the right people in order to make your dream of being a model into a reality. |
Re: The Fashion Thread by Alaroro(m): 1:50pm On Sep 30, 2014 |
FOCUS-FASHION DESINING JOB SKILLS NEEDED IN FASHION DESIGNING The world of fashion design, to many people on the outside, might look exotic I mean you look at occassions like the MBGN pageants, spice fashion shows and with the growth of the entertainment industry(the cousin industry) in the country. However it has its own rules and laws, with creative professionals who possess a variety of specialties and talents. However, for those who are interested in working as a fashion designer, there are certain skills that will always be useful in the field and as such will always put a person in demand. Sketching One of the most basic skills required for a fashion designer is the ability to sketch designs. New clothing designs are always drawn, and the drawings are used as an example of what the fashion designer's concept for a new garment or accessory is. While basic, black and white sketching is a helpful skill, a proper understanding of color, color arrangements and how to apply them to a sketch is also necessary for those who wish to be fashion designers. Communication One of the most valuable skills a fashion designer can have is the ability to communicate well. Fashion designers who don't work alone need to be able to explain to their staff what jobs each of them is doing and to make sure that all workers have similar goals even though nigerians get away with bad consumer service and worker relationship, in the long run it always has a way of catching up and believe me lots of businesses in nigeria collapse because of the lack of simple communication. communication is also necessary when pitching new ideas to clients or bosses and for explaining to those same people how these clothes will be made and showing them your thought process as a designer. Sewing Fashion designers who expect to be taken seriously must know their way around the needle and thread. Even if a designer doesn't intend to be involved in actual manufacturing of the designs, because they have to interface with workers who will be doing the sewing, the designer must be familiar with sewing techniques and know which ones will be most efficient at bringing their designs to fruition. Computer Skills Though not strictly necessary, fashion designers who are familiar with digital design programs like virtual fashion,fashion assistant and poser will place themselves at a higher premium in the industry. The computer offers options that, no matter how skilled, an artist using a pencil and paper would find nearly impossible to duplicate. Also, as in other fields that employ artists, images are often transferred through email and archived electronically in the fashion design world. So, those who can design on a computer will be one up on those who cannot. Experience and Training No matter how naturally skilled a fashion designer might be, it's often necessary to prove this to their prospective employers. Attending a fashion-design school or earning a fashion-design degree is a good investment for those who want to work in the field. Additionally, any experience that a person has should be included on a resume, and prospective fashion designers should also put together a portfolio of their work. Though not a skill, these are often important, necessary things that any prospective fashion designer should possess. |
Re: The Fashion Thread by Alaroro(m): 11:16am On Oct 07, 2014 |
FOCUS-FASHION DESIGNING Best Career Choice for a Fashion Designer I A custom-designed dress. If you are a trained fashion designer, there are many different fields you can go into. Whether you want to launch your own fashion design company or work for an established brand, the choice of which career path to take as a fashion designer should be driven by your interests. Aside from fashion and clothing, also evaluate what other fields you enjoy and see how your fashion design talents fit in. Performing Arts If you enjoy dance, the theater, or other performing arts, consider being a costume designer. In this field, you may work independently under your own label, on a per-project basis with no formal incorporation, or work for an established costume design company. As a costume designer, you will primarily do custom work, and will work on tight deadlines. There is nothing that can ruin the reputation of a costume designer faster than being known for not meeting deadlines. There are many types of performing artists and organizations that use the services of costume designers, including theater actors, television producers and stylists, movie production and wardrobe staff, ballet companies, dance schools, marching bands, color guards and dance teams. To be continued.... |
Re: The Fashion Thread by Alaroro(m): 11:18am On Oct 07, 2014 |
Best Career Choice for a Fashion Designer II Children Fashion designers who love children may choose a career as a children's clothing and accessory designer. The range of children's clothing includes newborn, infant, toddler, preteen and teen clothing. Then, there is the split between boy's and girl's clothing, which are two separate markets. Job opportunities as a children's fashion designer include working with independent design houses, making exclusive designs for department stores, catalog companies, and shopping networks, and making custom-made special occasion children's outfits such as christening gowns and party dresses. Sports Fashion designers who are sports fans, no matter what type of sport you like, can fill a need for specially made clothing that is not only attractive, but can meet the demands of competitive athletes. The clothing you make as a sportswear and athletic clothing designer must be durable, breathable, and sometimes custom made. This is particularly true when working with sports teams. As a fashion designer in the sports field, some of your clients may be professional, gymnasts, football teams and swimmers. Either launch your own sportswear design company or work for an established brand that provides retail or wholesale consumers with sports fashions. |
Re: The Fashion Thread by Alaroro(m): 1:43am On Dec 31, 2014 |
The Anatomy Of Fashion Industry ashion designing is a creative arts industry. Fashion design is the creative force of the fashion industry, job growth for fashion designing is expected to grow exponentially over the 10 year period from 2014 to 2024. Typically design companies look to hire individuals with the flair for fashion and designing Even though advancement opportunities exist, few employment opportunities are expected outside of mass-market clothing design companies. 1. Design Assistant Design Assistant is an entry level fashion design opportunity that is more administrative than creative, with duties including assisting the design team with fashion illustration and storyboard layout. Many new comers start at this level. Typically after six months working as a design assistant the next advancement opportunity is an assistant designer position. 2. Assistant Designer Assistant designers are similar to design assistants, however the assistant designer gets more hands on production experience with pattern making and assisting with sample garment construction. Typically after spending three or more years as an assistant designer you can advance to an associate designer or technical designer position. 3. Associate Designer The associate designer participates in designing garments for the seasonal collections and works closely with the head designer for creative input and design approval. With five or more years experience as an associate designer, you can seek out a position as a head designer. 4. Technical Designer Technical designers are responsible for making sure the fashion designer's sketch can be made into a wearable garment by overseeing the production side of creating a fashion line. As with the associate designer you will need at least five years experience as a technical designer to advance to head designer. 5. Head Designer The head designer is responsible for the fashion collections produced each season regardless if the collections are failures or successes. Typically a minimum of five years work experience as an associate designer or technical designer is needed to progress to this level; however, it is common for a design firm to require seven to 10 years experience. 6. Salary The years of experience you have, job location and employer are the main factors which determine what salary you make at each level. |
Re: The Fashion Thread by Alaroro(m): 8:51am On Feb 27, 2015 |
QUESTION: It is true that not every famous person has gone to a school or have a degree, but enrolling in fashion Apprenticeship programs is a sure way to perfect your design skills. While it is entirely possible (with hard work and unwavering determination) to become a successful, world renown fashion designer without learning under someone- it is more likely that you will reach the same end by attending fashion design schools or apprenticeship programmes. There are plenty of those that made it big with the help of a these tools. But, in case this is not enough to convince you that you should seek out the benefits of fashion design institutes/apprenticeship programmes, here is a list of reasons to go. 1. Learning will prepare you to reach your big picture career goals; attending fashion design school/apprenticeship programmes will give you the building blocks for the steps to achieving your dreams. Natural talent is one thing, but when combined with formal training, it makes a winning package. Fashion training will help bolster your credentials and build your portfolio. The fashion industry is extremely competitive and you will have time to develop the necessary edge to succeed. Fashion training programs will allow you to explore a full range of possible careers. If you have an eye for business as well as design, perhaps a career in fashion merchandising would suit you; become a textile buyer, a product promoter, or a wholesale merchandiser, among other great options. Fashion design school is an excellent environment to network within the industry. If you are even lucky ,you will be surrounded by aspiring artists as well as established designers who you can not only learn from, but also make connections with. Networking is a huge part of success in the fashion industry |
Re: The Fashion Thread by Alaroro(m): 8:56am On Feb 27, 2015 |
QUESTION:You’ve seen them thousands of times in magazines and newspapers and on billboards and posters — the “real” faces that entice you to buy everything from food to recharge cards. Many of them are trained and skilled actors, but they’re also commercial models. Commercial modeling is a still picture of a commercial. It’s acting without words. Photographers love hiring actors because they can take direction and provide a variety of layers of believable emotions. One of the great aspects of commercial modeling, unlike fashion modeling, is that there are no height, weight, or age restrictions. There are many beautiful women and handsome men who are commercial models. However, you do not need to have the “perfect” look to succeed. They are cast to appear in ads as the doctor, student, teacher, plumber, athlete, banker, farmer, nurse, etc. Open any nigerian newspaper and you will see commercial models working in many different types of ads. Here’s the Trick to Creating Eye-Catching Commercial Photos Deciding on your “image” might be the hardest part of the process of putting together effective commercial shots. You must figure out how people will perceive and cast you. You want to create powerful photos that allow others to see you as those types. Sexy shots can make a great photo, but they won’t necessarily get you commercial model bookings. Do you look right drinking beer , or feeling sick at an office desk – or both? You want to create the right images for yourself, and make the shots look like ads (without any headlines, copy, logos or brand names). To guide you into creating shots that look like ads, peruse existing ads in non-fashion magazines, newspapers, and what’s available on stock photography websites. Planning Your Shot Since your new commercial photos won’t have any words, make sure each photograph itself tells the story. Take your time and be creative in thinking of different scenarios for your shots. The most important thing to keep in mind is to make the photos look like ads. Do not pose for the camera. Show a wide range of believable expression and emotions for the different photos. Having strong commercial photos that look like ads will give you your greatest chance for success. So, here are the steps you want to take to create strong commercial photos: 1. Figure out your type 2. Get ideas of shots that will sell you by looking though non-fashion magazines and stock photography websites. 3. Make a list of the expressions you need to show in the shots you will be creating. 4. Practice creating those emotions in a believable way. 5. Figure out your location for the shoot (if you are not shooting in a studio) 6. Decide if any props are needed to help make the shot look like an ad (no logos or brand names should be visible) 7. Find a number of photographers through Model Mayhem who are also interested in building their commercial portfolio. 8. Interview them to make sure they are a good fit for you. 9. Have a fun time on the shoot and make sure you get copies of the shots. |
Re: The Fashion Thread by Alaroro(m): 3:17pm On Mar 17, 2015 |
QUESTION: If you have these skills, then just go for the fashion design career straight up. you may have already found that getting in the door of a reputable fashion Career, is almost impossible without the right experience or credentials to make your resume stand out. Whether you're interested in a career working in fashion design, fashion editing, fashion merchandising; you can't get taken seriously if you can't get noticed. Help yourself! Ask the right questions and get your questions answered. Questions like: (1) What's my earning potential as an assistant fashion editor? (2) Is Fashion Merchandising more competitive then Fashion Designing? (3) Is the demand for Fashion Marketing growing? (4) Can I complete my degree in Fashion by taking all my classes online? Why not finally get the credentials you need to be taken more seriously! Learn what it takes to make your professional aspirations a reality by requesting free information from any of the leading fashion design schools around. Engage in dynamic class discussions Gain innovative insights from leading professionals in the field Develop the skills to express your creative talents Turn the tables and let the leading fashion design firms compete for you! Get the skills to communicate your creative potential through illustrations, clothing, animation and more. If you have an eye for trends and a passion for clothing why not finish it off with the proper training so someday you might see your work in a magazine or on television! The possibilities are endless! Why work when you can design? |
Re: The Fashion Thread by Alaroro(m): 2:24am On Mar 18, 2015 |
QUESTION: Okay, so you are all waiting with bated breath for me to weigh in on this heavy trade, tfp, tfcd, pay, conundrum. If you are a model/actor/photographer then you know all shoots fall into two categories: paid and unpaid (including all trade shoots; trade for prints, CD, content, etc).Just incase I sound chris oyakhilome lemme elaborate: Paid shoots (where you are paid) Pretty simple: Someone pays you money for a photo shoot. If you are a model, you are paid to model. If you are a photographer, you are paid to take photos. This is how you make money getting paid to do what you do. I won’t talk about these shoots because everyone should be doing them. After all, how else will you get paid? Paid shoots (where you pay someone else) These are shoots for specific purposes. You might pay someone to take portfolio photos, because you want exclusive photos for your Web site or project, because you just want some hot photos of yourself to show your hubby and/or make all your friends jealous of how gorgeous you are. In the glitzy world of high end runway and fashion modeling, models will pay alot for a portfolio. Unpaid (trade) shoots For these shoots the model and photographer work out some sort of equal trade. The “equality” of the trade usually depends on the relative standing/ demand of each party. Both photographer and model need to bring relatively equal value to the table. So if a model is well-established, published, and recognized then he/she will usually only shoot with a brand new photographer if he/she is a friend, has amazing work, etc. You may be thinking "Pay someone to shoot with me? How now, I have people lining up to shoot with me for free. Good for you! But are they lining up to pay you to shoot? Or pay you more? Are these “free” shoots actually getting you closer to your goal? If not, you might have reached a plateau or a sticking point in your career. It is easy to fall into the trap that you can just keeping shooting for trade until you “make it” or when people will hire you. So when you get started as a model or photographer you need to build up your portfolio first. Most people do this by shooting trade. The model gets photos for his/her portfolio, the photographer gets photos for theirs, and everybody wins. Don’t think that a trade shoot means “free” shoot (and yes, I’m guilty of this one as well). A trade only works when both parties bring equal value. So if both of you bring nothing, you get nothing. If both of you bring a lot, you both get a lot. But because you are on the same playing field, how can you expect that the other will boost you up to the next level? Of course, you will get experience, continue getting better, and slowly improve your portfolio. But the way to make real breakthroughs is to pay someone at that next level to shoot with you. Who shot your photo and Who is in your photo makes a huge impact to your portfolio. When you have shot a well-known model, then your credibility and network expand. When you have shot with a well-established photographer, you expand your network and also get images that are most likely of better quality than those knocking your door down to shoot with you “for free.” one of the reasons to pay for a shoot is when you need the shots for something specific and have certain qualifications, like if you need the content to be exclusive and the other person cannot use them, even for their portfolio. And sometimes there are just people that you want to shoot with that also add credibility to your own portfolio. Hopefully, I have convinced you that you should pay to shoot. And of course, who wouldn’t want to do a shoot where YOU get paid? Well, now I want to convince you to shoot trades as well. However you may not want to shoot for free especially when there are photographers who would pay you for shoots That’s great! But there is so much more to being a “professional” model or photographer than getting paid. When you are getting paid for a shoot you can only expect to get one thing out of that shoot: Money. That is your compensation. You can’t expect a tear sheet, great shots for your portfolio, to learn something new, or even experience from your shoot. All of those things are important parts of being a professional. One of THE BEST reasons for doing a trade shoot is because you want to do something for fun and business aside Ironically, sometimes becoming a better professional means taking some time to not be a professional. When we are paying for a shoot, or being paid for a shoot we have to put our game faces on and get the job done. After all, time is money. When you are established and successful, you can get in a rut and get burned out. You can grow stagnant and take the same “safe” shot or bust out the same pose. One of the best ways to get out of a rut and get back to enjoying what you do—like when you had your first dreams of becoming a model slash actor slash photographer—is to go back to your roots and fundamentals. And shoot some trades. There are many great upsides to doing a trade shoot: You get to shoot something YOU want to do There is less pressure to do your best You can expand your abilities by trying something new You get a chance to work with someone you might not normally work with You can get some new and updated shots for your portfolio You can have fun! To wrap things up, I strongly believe that every model/actor/photographer should shoot when they are paid, when they pay someone else, and to trade with someone else. |
Re: The Fashion Thread by Alaroro(m): 11:36am On Mar 18, 2015 |
QUESTION: There aren't many photography learning schools in nigeria except you hinge yourself to a professional as an intern or perhaps you could build a career using social media "instagram" to be precise, as an aspiring fashion photographer Instagram should be among your most frequently used apps. It’s a great way to showcase your latest work, keep your followers updated, attract new collaborators, and impress new clients. But building a loyal and respective following isn’t done overnight. Here are 10 tips that will help you become the next Instagram superstar: 1. Quality Over Quantity I understand, you don’t want people to forget about you or your work, so you’re constantly looking for photos to post in order to keep momentum going. Relax. Chances are your followers follow more accounts than just yours, and their lives do not depend on you updating your account every thirty minutes. Instead of focusing on posting 24/7, keep your focus on your work, and only post when you’ve got a frame you really need to share. One great photo a day is worth way more than 10 uninterested ones. 2. Pick a Good Username Don’t over complicate things. Pick a username that’s easy to spell, as short as possible, and that makes sense. In the end you want to make it easy for people to find you, and chances are they won’t find you if your username has nothing to do with who you are and what you do. 3. Don’t Buy Followers Again, one good (*and loyal) follower is worth a thousand… you'll just end up with people that have no interest in your work. 4. Engage (like like like) Make sure to connect with people by exploring new users and liking photos. Other Instagram users love a like just as much as you do, so chances are they’ll check out your profile once you’ve liked a few of their photos. And if you follow point 1 religiously, they’ll be st*pid not to follow you. 5. The 1-2-3 Rule A good way to engage with other users is to follow the 1-2-3 Rule. When you post 1 photo, comment on 2, and like 3. You’re already on Instagram posting, so why not be effective and get some engagement in at the same time. 6. Don’t Spam Share regularly, but don’t spam. If all of your photos are of high quality, make sure to spread them out. After posting wait at least two – three hours before posting your next one. Not only is it annoying when someone’s hogging your whole feed, but strategy wise it isn’t never clever to bundle your quality posts within a short time-frame as you’ll only reach the followers that are checking Instagram at that given moment. Spread them out and you’ll reach the masses. 7. Promote Your Account In Existing Channels If you’ve already got a descent following in other social networks, utilize it by letting them know you’re on Instagram as well. Make sure to add a link to your Instagram account on your website, Facebook fan page etc. 8. Mention People In Your Posts Posting a killer photo from your last shoot? Then don’t forget to mention the model(s) in the photo, and who you worked with on the shoot. 9. Stay Consistent I always stress this in all of my talks on the fashion photography business. Consistency is extremely important across the whole board. If people follow you for your amazing photos of models in cars, then that’s exactly what they followed you for. You still need to keep it interesting, but pay attention to what works for you, and stick to it. 10. Connect Your Accounts Make sure to connect your account to Facebook and Twitter, and share your specific Instagram posts throughout your network. This is a great way to pull followers onto your Instagram account, but remember to follow point 6. Timing is key. Conclusion Remember to use Instagram as an extension of your brand identity as a fashion photographer, and not a playground where you just post anything, like nairaland just kidding |
Re: The Fashion Thread by khoray(f): 2:20pm On Mar 18, 2015 |
You nailed it @ poster. Long but I read every bit. Great job. |
Re: The Fashion Thread by Alaroro(m): 1:40am On Mar 19, 2015 |
khoray:thanks |
Re: The Fashion Thread by Alaroro(m): 4:58am On Aug 25, 2015 |
For Fashion Models Only QUESTION: Well my friend short way to put it Nollywood is both still and motion picture Infact if anyone ever tells you that there is a distinct separation between models and actors, I invite you to challenge this theory . It is usual that Photographers will suggest finding inspiration in fashion magazines. I’d like to further explore this subject and explain what to do after you’ve found your inspiration. My favorite thing about modeling has always been telling a story. It is not your job, but your privilege, to portray a character in every photo you take. The beauty of photography is capturing an image that will evoke an emotion in the viewer. In speaking with models over the years, I’ve heard that it’s often hard for some to channel their emotions onto film(the stiffness the Photographer talked about). Is it a mental block? Is it an unwillingness to go that extra mile? Whatever it is, I believe every model should try their best to avoid the dead-body look at all costs. Nothing is more unfortunate than a well-produced, expertly Ty bello styled photo shoot ruined by a model who doesn’t connect with the story. I look at countless advertisements in both fashion magazines from million Naira companies and smaller publications. Why are the big-budget advertisements the ones that resonate with us? Sure, it doesn’t hurt that the models are wearing the sickest clothing on the planet( i mean that in a good way) or some of the most exotic, beautifully lit locations on planet Earth. But what I believe really makes the photo is the model. The models who are hired for big campaigns have proven themselves (some over decades) to carry an entire brand’s message with only a look. So let me not waste your time with a long epistle you really need to loosen up and evoke those emotions |
Re: The Fashion Thread by Alaroro(m): 5:38am On Aug 25, 2015 |
For Fashion Designers Only QUESTION: Starting from the top, a fashion designer creates clothing and accessories for people to wear and enjoy. A designer's apparel can be as simple as a piece of wrapper or as elaborate as a custom-made Iru and buba (and all your fancy attires ). A fashion designer stays on top of all trends and changes in the world of fashion, and also has a hand in developing and popularizing new trends. It is helpful for a designer to have some knowledge of pattern making and sewing, but this is not required especially if you can tip the local tailor on your street to stitch a thread. However, it is imperative that a fashion designer have artistic talent and a spark of creativity as well as the ability to sketch her designs and communicate her ideas effectively to others. Most people interested in pursuing a career in fashion obtain some formal training or a four-year degree in fashion merchandising. Some colleges offer two-year degrees in the same major although this depends on your Pocket because there aren't many Facilities like that in Nigeria and Perhaps you may just wing it and tag along with an established designer instead Typical Workday A fashion designer's workday can be extremely long, often lasting up to 12 or 14 hours. Fashion designers usually produce at least two full collections a year: one for the first 6 months and one for the other 6 months. Workdays are busiest around the creation of a new collection. The designer arrives to work around 9 a.m. The early part of the day consists of answering work e-mails, setting up meetings with fashion buyers or catching up on the day's fashion news via magazines, newspapers,nairaland etc. Sketching and coming up with new designs may take up most of the designer's workday, but this is an essential step in getting the collection off the ground. Later In The Day After sketching out some designs, the fashion designer pays a visit to the local garment store to pick out fabrics, embellishments, bindings such as zippers and buttons and sewing material. Back at her showroom, the designer spends the rest of the workday making the pieces in the collection from scratch. This process includes making patterns, cutting and draping the cloth, sewing the materials together and adding embroidery, beading and any other embellishments to complete the look. It may take several weeks or months to complete one collection, at which point it is ready to be unveiled to the public. The designer either shows her collection on the runway, at a trade show or at her personal showroom. Fashion buyers from boutiques and department stores attend these showings to decide whether they'd like to purchase any pieces to be sold at their respective stores. |
Re: The Fashion Thread by africouturemag(m): 5:52am On Aug 25, 2015 |
Hello, this africouture magazine... We will like to partner with your brand... You can get back to us via our email- info@africouturemag.com our fb page www.facebook.com/africouturemag |
Re: The Fashion Thread by Alaroro(m): 12:25pm On Aug 27, 2015 |
For Photographers Only QUESTION:Awww that's nice there's nothing like a person who have found his direction career wise. For all artists out there the path to success and financial security is fraught with uncertainty, and there is no sure-fire business plan that will light the way and no straightforward strategy that will lighten the load. We can completely sympathize! And if you’re just starting out, you’re likely facing one of the most difficult professional periods in your life – that critical moment when you get on your feet and get the ball rolling. We’re here to help you make the most of it. Here is our list of ultimate career advice for aspiring fashion photographers, stylists, makeup artists and anyone else working in the fashion industry. Here Goes! You can’t ask for your big break, you have to earn it. If we had a nickel for every time a photographer contacted us with no experience, barely anything to call a portfolio, and said something along the lines of, “If you give me a commission letter I’m going to make you something amazing, just trust me.” We don’t mean to be harsh, but in the insanely competitive rising Nigerian fashion industry , no one is just going to give you a break because you seem passionate and sure of yourself. In the social sphere that stretches beyond your friends and family who believe in you because they love you, everyone else will be really really hard on you. If “just trust me” is all you have to go on, you really don’t have much. When hundreds of competitors are applying for the same jobs as you with polished portfolios of work that really highlight what they’re capable of, you better have more than just promises and passion to go on. As a general rule of thumb in fashion, show don’t tell. Take big risks with the work you create, work hard and you won’t need to sell yourself because your work will speak for itself. Consistency That’s it, the magic word that will get you through the door and onto the other side. The one piece of career advice that’s probably more important than any other. CONSISTENCY. It’s the one quality that separates a successful fashion professional from a struggling artist. No one expects you to hit a home-run every time, but clients do expect a consistent level of quality in your images. And be aware that there are a few things clients will always watch out for. Your website, for one. Unless you have a large amount of high quality published work in there, clients will be wary of your portfolio because they know you’ve selected only the very best of everything you’ve ever created. What about the stuff that doesn’t make it in? How long did it take you to get that perfect shot? Can you do it again? Was it just blind luck? If you can prove to a client that you can consistently reproduce your best quality work, you’re in! Don’t just follow the trends, create them. Every aspect of the fashion industry (and every industry for that matter) is affected by trends. We all seem to fall in love with the same things at the same time. There’s nothing wrong with that! But you need to be very aware of trends in your work, and be calculating about how you choose to incorporate them into your photography or design. Our advice is to rework trends, add unexpected elements to make your work stand out and to show the world that you’re one step ahead of the game. Don’t ignore the details! Wrinkled clothes? A dirty backdrop? Polyester fabrics? Don’t think others won’t notice! It’s a fashion editorial for tori'olorun. As they say, the devil is in the details, and in this case, overlooking the finest details will result in mediocre work. It’s as simple as that. You’re never hired for the reasons you’d expect. Ok, so your portfolio is gold. You’ve got the creative vision of a young Picasso and the flair of Liberace. Naturally you’d assume these are the top reasons why you’d get hired for a campaign or editorial job, right? Wrong. Although these are extremely important, your actual job is to be the logistical brains behind every creative project. In other words, you need to have a cool head and learn how to problem solve your way out of any situation. Don’t ask too many questions, don’t hesitate for a second because everyone is counting on you to figure it all out. This holds equally true for creative problems like how to pose a model or style a shoot, as it does for logistical problems. Stop comparing yourself to the competition. You should only ever compare yourself to yourself, as you were six months ago. It’s like Clarence peters said in that episode of the jara show, the magic number of true expertise is ten thousand hours. That is, it takes ten thousand hours of practice to become truly great at something. You don’t know where other people lie on that scale. If they’re better than you, it’s likely simply because they were busy practicing while you were busy flipping through Nairaland “looking for inspiration.”(We love you Nairaland this isn't about you) Comparing your own work to top photographers is crazy. They have a life time on you. By that same token, looking back at your own body of work, you should see a noticeable improvement. If you don’t, you’re doing it wrong. |
Re: The Fashion Thread by Alaroro(m): 9:08am On Sep 23, 2015 |
For Models Only QUESTION: Thank you for reading my post, well i must admit, it isn't very easy to make all these leap during photoshoots however,If the image you’re creating is one of solace, sadness or loss, perhaps basic advice is to recall a memory from your own life that will put you in the appropriate mood. However I feel i should caution you because there is, I believe, a difference between “model acting” and “actual acting.” Perhaps you've often heard about models demonstrating a distinct look, they however “lose their model.” And perhaps their appeal It’s so easy to take an emotion too far and forget your angles, lose your light, or be careless in your poses. What I suggest is to not fully go to “that place” of dark emotions. Dip your toe in the pool. Do not dive in. Do not “forget your model!” Practice in the mirror as often as you can. Try different expressions and study your angles in various lighting. It is your job as a model to think about the key aspects of what you’re hired to express. Consider Your Surroundings Are you in a beautiful lush forest? Are you in a smelly danfo bus garage? Echo your surroundings in your emotions. Stop for a moment to breathe in your location and let it speak to you. Take in the view, smell the air, touch your surroundings…how does it all make you feel? Consider the Brand What does the company have in mind for how they want to be perceived? Speak with the owner of the brand or whoever is directing you about what their brand represents. Not only will this help you in posing, but it's the type of will or "over-sabi" that impresses them that you want to represent their product to the best of your abilities. In addition to speaking with someone, you should also do homework (even if it is just Googling or nairalanding the company) and read every material you can about the brand. Know Your Audience Who will be viewing this image? Is it a genevieve magazine or complete fashion Nigeria? Carefree poses and a friendly gaze may be appropriate or get creative in your poses. Your eyes, pose and expression can tell the viewer everything they need to know. Photographers will forever be telling you that the story is in your eyes. Listen to that and take it to heart. It’s your job as a model to discern what that story is. Get lost in that story and express yourself in a way that feels right. It should be organic, but I assure you it does become easier over time. As with every column I write, I want to stress that asking questions is completely acceptable and should be encouraged. A great relationship with a photographer is born this way. If you’re having trouble with emotions in your photos, I also strongly suggest acting classes. Does this mean you should switch careers? Not necessarily. But I encourage any exercises that will get you out of your shell, so to speak, so that when you are called upon to play a character you have the mental tools to be free in your expressions. With every shoot simply ask yourself, “Who am I today?” Wishing you luck in the amazing and, most importantly, meaningful images you will create. It is art, after all. Never forget that. |
Re: The Fashion Thread by Alaroro(m): 10:35am On Sep 23, 2015 |
For Photographers Only QUESTION: Yes i will also like to add a few things to the list Focus on not becoming a starving artist. Many young creative types really romanticize this idea of being a starving artist or hustler, but it’s only tolerable for about a year. After that it becomes an unbearable weight on your shoulders. There’s nothing romantic or glamorous about remaining in a spot when your peers are at TY bello level, especially when you’re working in the Nigerian fashion industry! Every so often, you’ll want to package yourself and look good. The fact is, becoming a pro photographer takes money, lots of it. So you’ll need a solid long-term plan in place. You may need to supplement your career with less glamorous gigs (weddings? corporate portraits? Elance?) until you refine your craft and make some solid industry connections. Oh, you’re just not that into social media? The world is changing, and although word of mouth is still a powerful (and viable) way of getting noticed, it’s also the hardest and least likely way. As a fashion photographer your goal is to have your work seen by as many people as possible. If you’re doing your job right, you will quickly learn that taking pictures, and editing them are the smallest part of your job. Marketing should take up about 75% of everything you do, with social media being the most important of these. There’s simply no better way to become insanely successful than to use your social networks. Home is where your dream job is. They say, do what you love and never work another day in your life. There’s no denying that loving your job, and being passionate about your career is one of the greatest blessings in life. It is therefore important to understand and be aware that the place you call home may be holding you back. If your dream is to be the next AY.com, you’ll need to move to buzzing places like lagos or Abuja. Though other cities have their own flourishing fashion scene or movie scene – a scene is not a proper industry. A scene is not enough to build a thriving career on. That’s not to say you can’t do it, but you will likely end up frustrated by the lack of resources and community support available to you. Simplicity The old saying that “simplicity is the ultimate sophistication” holds true. All you need to create beautiful images is a beautiful model, a single dramatic element and literally nothing else. No crazy "derenle" like accessories or hair and makeup all laid over intense poses and voodoo lighting. When deciding how to style a shoot, between dramatic makeup + hair + sets/lighting + dramatic clothing, aim to choose only two out of these four options, otherwise you’ll have a circus on your hands and of course you know how mean Nigerian consumers can be Your thoughts and feelings don’t really matter to the world. Only your actions have value. Of course your thoughts and feelings matter! At least to those that know you personally. As far as the rest of the world is concerned, your internal world barely exists. We know it sounds harsh, but it is an essential lesson in becoming a successful adult. The world turns on the currency that is action. If you try to convince someone that you’re an amazing, talented and compassionate individual that’s going places, but have nothing to show for it you’ll be wasting your breath. Your greatest contribution to this world and to your own life will be through the actions you take. If you want to stand out professionally, stop talking and go out and do something (anything) productive that will have a positive effect in the world. Working for Free = Practice. This is a very controversial topic because there are a lot of people out there who will take advantage of you and just turn you into a glorified errand boy who gets them rice from the nearby canteen or pick up their kid from school. But there is another word for free work, and it’s called practice. Fashion photography is not accounting, it’s not computer science, it’s art. Unlike these other fields, in fashion Nigeria there are little to no educational facilities for Photography so most of your learning should be simply having enough time to practice your craft. And don’t tell us that you’ve been shooting since you were a child. Pointing your camera at something is different from creative direction, production, casting and directing a team. One requires nothing but your creativity, while the other requires a certain level of leadership, maturity and professional experience. But beyond practice is the matter of creative control. Starting out, working for free allows you to be as creative as you wish and to pour your passion into a dream project. When you’re working for a paying client they hold all the creative control, which often translates to work that is less than you’re capable of. If you’re focusing on just getting paid clients from the onset, it will take you a very long time to create the kind of portfolio that will get you noticed by high-paying clients. Work with the best, even if it’s not financially rewarding. Another thing to consider is that fashion is a career path where the division between big companies and small companies is extreme. There are very few in the middle. So basically, if you’re new to the game you’re stuck between not being good enough for the big boys yet, and volunteering your time to the smaller companies that are just barely staying afloat. When you’re just starting out in the fashion industry, it is extremely important that you pay more attention to working with talented people instead of getting paid. Trust that the money will come in due time. For now focus on collaborating with talented no-bodies and bobo seguns on your street who will one day be big somebodies (like you!). Fill your portfolio with quality work, publish in quality magazines and associate yourself with quality people. Newbie artists that think they’re going to be getting paid from the get-go are in for a rude awakening. Unless you were born into this industry, you’ll be crawling your way to the top like everyone else. |
Re: The Fashion Thread by Alaroro(m): 5:48am On Dec 28, 2015 |
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Re: The Fashion Thread by Alaroro(m): 2:10pm On Mar 12, 2016 |
QUESTION: HOW TO MAKE A FASHION PORTFOLIO WELL PUT TOGETHER How to Become a Fashion Designer What’s the most common faux pas when it comes to creating a fashion portfolio? Many fashion design students and entry-level apparel designers make the mistake of filling their fashion design portfolio with all of their favorite fashion illustrations, or photos of garments they’ve made. The trouble with this is that apparel industry companies don’t need to see tons of imaginative avant-garde fashion sketches – who’s really going to wear that stuff? They just don’t sell! Don’t get me wrong, you should still show off some fashion illustration sketches and your ability to develop an apparel design collection, but following an organized presentation format is a much better approach. Here are our tips for how to make a fashion portfolio that will show off your fashion designer skills. We shall take them piece by piece so we don't bore you Choose Your Dream Market First thing’s first: decide in which market you want to have your fashion career, and make a list of fashion industry companies that fit into that category. For example, if you would love to be a fashion designer for a better sportswear collection such as Bebe, other fashion companies on your list could include Armani Exchange, Anthropology, and DKNY. Then take some time to look into the companies you chose. What’s their design philosophy? Who is their customer? Where do they draw inspiration from, and what does their current collection look like? Once you’re familiar with the type of fashion industry companies you want to design for, think about what they want to see from you – the fashion designer. You’ll need to show that you have an eye for style and can create a cohesive apparel design collection for a specific customer, and the company should be able to identify with the price point and styling of your fashion designs. Making the Fashion Design Portfolio Most entry level or assistant fashion designers start out sketching fashion flats (fashion technical drawings), assembling fashion presentation boards, and preparing apparel tech packs. Show your prospective employers that you’ve got each area covered! Develop a series of 3 to 6 small groups (“collections”) with 6 – 8 fashion figures or complete outfits per group. Start off each fashion collection with an inspiration page: a collage of images, fabric swatches and other findings that help set the mood and introduce the color story for the collection. Next come the fashion illustrations, which show fashion figures in various poses wearing your apparel designs. These fashion sketches will demonstrate how garments will look on a fashion body and give you the opportunity to express how you would match up each piece to create coordinated outfits. Following your fashion figure illustrations are flat sketches or floats (stylized flats). A “flat” is basically a black and white sketch of how a garment looks when laid flat. Fashion flats must be clean, correctly proportioned, and include all garment details like: seams, topstitching, buttons and hardware. While some apparel companies still sketch flats by hand, the vast majority creates flat sketches via computer so it is important that you are comfortable using popular CAD software such as Adobe Illustrator for the fashion industry. Apparel floats are more stylized versions of flat sketches that usually show some kind of movement in the garment. Alternating the use of flats and floats from one fashion design group to another is a good way to add variety to your fashion presentation layout while showing your versatility. Fashion CADs (flat sketches rendered with colors and fabrics) can also be incorporated into a group of your fashion illustrations or flats and can be added as a separate section in your fashion portfolio. And please don’t just display your fashion sketches on a plain white or solid color page! Tie each design group together using fashion backgrounds that follow the theme for each group. Fashion backgrounds (like the free template example below) are an extra opportunity to show your creativity and fashion presentation skills. To be continued.... Do you have a plan for your fashion career? No? Then perhaps you get the kobo questionnaire, The kobo questionnaire asks you all the questions you need to create a career or business plan and best part, its free just download it below or order a PDF version by sending a mail to koboheights@gmail.com
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