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A Thread For Script Writters by killjoy(m): 10:53am On Jan 03, 2015 |
read this short script and please add yours. lets share ideas |
Re: A Thread For Script Writters by prof800(m): 12:24pm On Jan 03, 2015 |
hmmm.. why don't I trust Jeremy? Nice work. |
Re: A Thread For Script Writters by tosan200(m): 2:18pm On Jan 03, 2015 |
GOOD. jeremy must be really good at the game. |
Re: A Thread For Script Writters by sholay2011(m): 5:41pm On Jan 03, 2015 |
. |
Re: A Thread For Script Writters by sholay2011(m): 5:43pm On Jan 03, 2015 |
Hello killjoy. See username . Nice excerpt btw. I'm a scriptwriter too. I have my short film scripts on my profile. |
Re: A Thread For Script Writters by sholay2011(m): 10:57am On Jan 04, 2015 |
This is an excerpt from a script of mine: CUT TO: EXT. FEMI’S HOUSE/DOORPOST-DAWN SFX- OMINOUS SOUND CONTINUES Anike walks to the doorpost and knocks at the door. She knocks again. The door opens and we see MRS. ATERE/ROLAKE (42), with wrapper tied to her chest. ANIKE (In Yoruba) Good morning, ma. MRS ATERE (In Yoruba) Ah, Anike…morning. Hope no problem? ANIKE (In Yoruba) Nothing really. ‘Just want to pick Dare so he won’t be late for school. MRS ATERE (In Yoruba) Pick Dare? Dare isn’t here. There is a deadly silence. ANIKE (In Yoruba) Em…em…ma, are you sure Dare didn’t sleep here ‘cos he and Femi went to play ball yesterday which…? MRS ATERE (In Yoruba) No, he didn’t. I didn’t even see him throughout yesterday. Anike becomes a bit anxious. ANIKE (In Yoruba) Can…can you please call Femi for me, ma? MRS ATERE Okay. Mrs Atere leaves for inside the house. Anike rubs her palms together again to generate heat. Mrs Atere emerges with Femi, in a vest and shorts, at the doorpost. ANIKE Femi, good morning. FEMI Morning. How is Dare? Anike appears taken aback. She and Mrs Atere look at each other. ANIKE Femi, are you telling me you didn’t come home with Dare yesterday? Femi shakes his head. ANIKE (Sighs) So, after you people played ball and it started raining, where did he go? FEMI We finished the ball quickly because we saw that it wanted to rain. Dare packed his boots and I thought he went home. Is he not at home? ANIKE No, he is not. MRS ATERE (In Yoruba) I believe he is out somewhere, probably scared of the beating your mother would give him if she... ANIKE (In Yoruba) Dare doesn’t sleep outside the house except your place… MRS ATERE (In Yoruba) Don’t be too sure. Children of nowadays can be very lousy… ANIKE (In Yoruba) -my brother is not lousy. Mrs Atere gives her a stern look. ANIKE (In Yoruba) Femi, can you quickly follow me to the field where you guys play, not sure I know the place? MRS ATERE (In Yoruba) My son is going nowhere this early morning. He has to prepare for school, woman. ANIKE (In Yoruba) I swear this will not take time. I just want him to… MRS ATERE (In Yoruba) No, no, no, no. ANIKE (In Yoruba) Please, ma… MRS ATERE (Shakes head) Hm-hm. MR ATERE (44) emerges in the scene from the house. MR ATERE (In Yoruba) What’s happening here? Anike and Mrs Atere look at each other. |
Re: A Thread For Script Writters by Omolola1(f): 11:16pm On Jan 04, 2015 |
Nice Let me just chip in something: As a scriptwriter or screenwriter, whichever the case may be.. it's wrong to add "cut in" etc..that is the work of the director in what is called "Director's treatment" As a screenwriter/scriptwriter, all you need to do is write. Secondly, This goes to the first writer I'm sure the application you used is "final draft" This application is used for scriptwriting. There are tags like action, dialogue, parenthetical, character etc.. Descriptions such as this [24, beautiful, wearing a red gown that stops at her knees and a black leggings, walks in] Do not need to be in bracket, they are descriptions, thus, should be in an action format. Only parenthetical such as: (sigh), (laughing) etc are bracketed, and this would be done automatically on final draft when highlighted and 'parenthetical' is selected. Just thought I chip this in. 1 Like |
Re: A Thread For Script Writters by sholay2011(m): 6:53am On Jan 05, 2015 |
@Omolola....Oh! Thanks very much for the tips...noted. I will like to see some of your works please. You can also check some short film scripts I've written on my profile and comment/critique it. Thanks. |
Re: A Thread For Script Writters by Inosenduatall: 12:17pm On Jan 05, 2015 |
Beautiful thread though. However I would like us to discuss some really important issues. 1. How can one make money writing scripts in Nigeria? 2. In the case where one wants to produce his own movie after writing the script but lacks the necessary funds, how can one source for funds? Thank you and I hope my questions are addressed adequately and thoroughly. |
Re: A Thread For Script Writters by Inosenduatall: 12:21pm On Jan 05, 2015 |
Excerpts below: INT - SPOTLIGHTS HOTEL BAR/LOUNGE - EVENING (Scene opens to show Osaro, Emmy and Becca seated at a table in the hotel lounge drinking some bottles of beer. A waiter carries a tray of full, roasted fish over to their table and drops it as Becca begins rubbing her hands together excitedly.) BECCA Now this is what I'm talking about. Why did I even come to your place in the first instance? EMMY Because Y has a long tail and two branches. (She takes a bite of the fish and closes her eyes in delicious ecstacy, before downing in with some more alcohol.) BECCA This is good. This is really good. OSARO So madam, what made you leave abuja for Lagos? BECCA Well, when the people that butter your bread ask you to jump the only question you should ask is how high. I was transferred, I had little choice in the matter. OSARO And how are you enjoying Lagos? BECCA Lagos is craaaazy. It's like I've been dropped right in the middle of a mental asylum. OSARO Are you insinuating that we are all mad men in Lagos? BECCA Not particularly. But here are some of the things I've noticed. One, everybody is in a hurry here. It's like you're watching a movie and you put it on fast forward. That's how Lagos is. OSARO So Lagos is permanently on fast forward? BECCA Lagos is permanently on fast forward. Two, everybody in Lagos somehow forgets to give you your change. It's either they 'innocently' forget or they don't have. EMMY Now that is just a baseless generalization. You are obviously out for blood tonight. OSARO Please tell her o. I give people back their change all the time. BECCA Na una sabi. You're not the ones that had to hold a taxi driver by the neck after forfeiting your change on three different occasions. Three different occasions! OSARO Okay, anything else? BECCA Three, the whole place is a mess. No planning, no nothing. And what of the traffic? Hell on earth. Lagos is just a concrete jungle, and guess who the monkeys are? OSARO Your ogas in Abuja. (They all burst out laughing.) BECCA Seriously it's like they just hired a carpenter named Taofeek to patch-patch the whole place and then they called it Lagos. (To Emmy) How do you cope here? EMMY To be honest I do think of relocating sometimes but my work is here. I can't just up and leave. Besides, you get used to it. OSARO (To Becca) And now that you have finished running down a city you obviously know nothing about, let me tell you a little something about eko. Lagos is the city of hustlers, if you can make it here you can make it anywhere. Not like abuja where all the fences are high like skyscrapers. (To Emmy) What else? EMMY City that never sleeps. OSARO Lagos is the city that never sleeps. I can wake up 2am and it still looks like it's 9pm. There's a vibrant energy that this city generates. That's what I love the most about it. BECCA Anything else, professor? OSARO I can head out to work in only my boxers and arrive at the office fully dressed. BECCA (Perplexed) How? OSARO I'll buy everything I need in traffic. (She thinks about it for a bit then bursts out laughing.) BECCA Only in Lagos. OSARO (Raises his glass to her) Only in Lagos. BECCA (To Emmy) This your friend is crazy, how do you cope? EMMY Well you already said that Lagos is a mental asylum so what did you expect? (Osaro draws his chair closer to Becca's and whispers something in her ear to which she giggles. Emmy looks around uncomfortably, leans back in his chair and begins sipping his drink - all by himself.) FADES OUT. |
Re: A Thread For Script Writters by prof800(m): 12:53pm On Jan 05, 2015 |
@Inosenduatall, nice work up there. ....to your questions... 1. one can make money by getting to sell the written scripts or contributing to the development of a ready written script or writing episodes for tv shows etc... 2. there are kickstarter programs I think. Also watch out for govt. loans when it is announced... two have been given already over the past 5 years. @Omolola1, I see you and I feel you. |
Re: A Thread For Script Writters by killjoy(m): 2:23pm On Jan 05, 2015 |
sholay2011: hmmmmm... I was enjoying it. nyc 1 Like |
Re: A Thread For Script Writters by killjoy(m): 2:24pm On Jan 05, 2015 |
Omolola1: cool obzavatns... tnx a lot. show us ur works na |
Re: A Thread For Script Writters by killjoy(m): 2:27pm On Jan 05, 2015 |
Inosenduatall: my broda, scriptwriters, lyk many other art related professions r nt valued. d only way u can make money from ur scrip is to produce it urself. |
Re: A Thread For Script Writters by Inosenduatall: 9:30pm On Jan 05, 2015 |
killjoy: It's really unfortunate cos we've got a lot of amazing talents out there that can create a mind-blowing story on a very low budget. It's looking more and more like I may have to tow this route. The irony is, writing a wonderful script takes a lot of brain power in order for the sequence to flow seamlessly from one to the other and for the story as a whole to be engaging and most importantly, add up. |
Re: A Thread For Script Writters by killjoy(m): 9:36pm On Jan 05, 2015 |
Inosenduatall: well spoken btw my ansa to Ur second question. I watched a video by d owner of one academy in Hollywood n he said, to get, 10 naira loan to make a film, u hv to make a short 1naira film n show ur sponsors. u get? no company will throw money at u without seeing ur work, wot ur capable of. so me n my partner r trying to make a 3 minutes film n use it to pitch so we get sponsors. u can do same |
Re: A Thread For Script Writters by Omolola1(f): 10:58pm On Jan 05, 2015 |
prof800: |
Re: A Thread For Script Writters by morsadh(m): 9:27pm On Jan 08, 2015 |
EXT. SOLDIER'S JUNCTION - DAY – DAWN SUPERIMPOSE: 5:46am A vigilante trudges down a lonely road: a tired old man with a Dane gun, charms, knife, etc. EVERY STEP GETS SLOWER...Slips on a rotten fruit! He trips! He...regains his balance. Sighs and hisses. Walks on. He gets to a tree. Approaches it... Sits. Leans back on the tree. Sleeps... A HUNTER'S WHISTLE. He stirs. Adjusts to a lying position. Resumes sleeping exercise... A SHARPER WHISTLE! He leaps up and draws out knife. Looks around. No enemy... FF FR-R-RE-EEEE!!! Picks up gun and leather bag. Looks Alert. Makes a light run... EXT. BODE'S UNCLE'S HOUSE - DAY - A MOMENT LATER ...And slows down in front of a two-story building. Looks up at building. Footsteps behind him. He turns. ANOTHER VIGILANTE. VIGILANTE #2 (in Yoruba) What is going on? VIGILANTE #1 (in Yoruba) I have no idea. I heard the whistle, so I came running. VIGILANTE #2 (in Yoruba) Same here. The now-familiar whistle RINGS OUT SHARPLY. It is from the top floor of the house. Three more vigilantes arrive. They all arm themselves. Vigilantes #1 & #2 look at each other. They all slowly walk into the house. A MOMENT PASSES... A SCREAM FROM THE HOUSE!!! |
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