Tales from the Hearth is a production of Crater Library. It is a storytelling podcast where our storyteller ‘The Grizzly’ thrills and entertains you with fictional horror and paranormal stories from motherland Africa

As we prepare to kick off season 2 of Tales from the Hearth podcast, join our creative team on Friday 19th of February at 7pm with this link: https://msngr.com/hffabsqatvgj, as we review episodes of season 1 and discuss writing, voicing, sound editing and our podcast creative process. ALSO we are looking for horror/paranormal fiction writers to join our creative team, so you get to learn how we work and perhaps, be part of our team if you want.

If you are yet to listen to Tales from the Hearth podcast, why don't you put on your headphones now and keep yourself company with fiction stories from our podcast: https://tales4rmdhearth.podbean.com/

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Hello,

I trust you are having a great day. We are currently collating powerpoint point slides to boost our open access(free download and use) collection.

You: Why Powerpoint slides?

Us: As a professional or an authority in what you do, there is a high chance that you have shared knowledge with a group of people, and you designed a Powerpoint slide to capture the highlights of your presentation.

This goes to show that Powerpoint presentation slides are synthesized educational resources which are useful in a knowledge sharing or learning environment.

You: Alright. So what is/are the benefit(s) of donating my presentation slides to you?

Us: When you donate your powerpoint slides,
(1) you contribute to knowledge and boost knowledge transfer;
(2) your work will be featured in research, therefore your name and work will be cited across published works;
(3) your slide will have a forever home on our digital library;
(4) and because it's on our digital library, your intellectual property will be preserved for as long as internet exists.

You: Is there any specific topic or theme which the slide should be about?

Us: None. We accept every slide. However, if a slide doesn't ethically add to a body of knowledge, the owner shall be notified of our decision to withdraw it.

You: Will you sell it?

Us: No! Open Access means that the slides will be free to download and use. All donated slides will be made available for FREE.

You: What if I am still using mine and do not want to share since it's my intellectual property?

Us: Well, we understand that. If your Powerpoint presentation slide is still in use or exclusive, then there is no need to donate it. That is, until you decide to share with the public. We intend to be here forever.


However, if you have slides which you would like to share with us and make available online, feel free to forward it/them to mycontent@thecraterlibrary.com.

Thank you for trusting us with your intellectual property. Please remember that copyright of your work belongs to you. We are only a digital shelf housing your awesome work and making it available for use.

Hello,

I trust you are having a great day. We are currently collating powerpoint point slides to boost our open access(free download and use) collection.

You:[/color] Why Powerpoint slides?

Us: As a professional or an authority in what you do, there is a high chance that you have shared knowledge with a group of people, and you designed a Powerpoint slide to capture the highlights of your presentation.

This goes to show that Powerpoint presentation slides are synthesized educational resources which are useful in a knowledge sharing or learning environment.

You:[color=#006600] Alright. So what is/are the benefit(s) of donating my presentation slides to you?

Us: When you donate your powerpoint slides,
(1) you contribute to knowledge and boost knowledge transfer;
(2) your work will be featured in research, therefore your name and work will be cited across published works;
(3) your slide will have a forever home on our digital library;
(4) and because it's on our digital library, your intellectual property will be preserved for as long as internet exists.

You:[/color] is there any specific topic or theme which the slide should be about?

Us: None. We accept every slide. However, if a slide doesn't ethically add to a body of knowledge, the owner shall be notified of our decision to withdraw it.

[color=#006600]You:[/b] Will you sell it?

Us: No! Open Access means that the slides will be free to download and use. All donated slides will be made available for FREE.

[b]You:[/color] What if I am still using mine and do not want to share since it's my intellectual property?

Us: Well, we understand that. If your Powerpoint presentation slide is still in use or exclusive, then there is no need to donate it. That is, until you decide to share with the public. We intend to be here forever.


However, if you have slides which you would like to share with us and make available online, feel free to forward it/them to mycontent@thecraterlibrary.com[i][/i][color=#990000].

Thank you for trusting us with your intellectual property. Please remember that copyright of your work belongs to you. We are only a digital shelf housing your awesome work and making it available for use.

When I moved permanently to Enugu for work, I yearned for certain things like book or art festivals, book clubs, anything that had to do with books. This isn’t because I’m the smartest person in every room. No! I simply enjoy learning. My nature demands it; my profession as a librarian demands it more.

Unfortunately, my job at the time was a busy one, and leave of absence wasn’t a policy in my workplace. This meant I couldn’t even travel for events like Ake festival which happened far away in Abeokuta at the time.

However, fortune smiled on me and I discovered a book club in Enugu –Liber Book club. Fun loving book generals! God bless them all. It was here that I met people who share the same love I have for books. We had all sorts of literary discussions and conversations about book and literary festivals in south-east. It was –and still is – hard to understand why a region that has blessed the country, continent and world with literary giants, lagged behind in events that promoted literature and the likes. Everything seemed to be happening in Lagos and a good number of youths in south east were drawn to those ‘everything is happening in Lagos.’ Of course, in those discussions we traced every failure back to the state governors…and rightly so. However, at some point I decided to take the bull by the horn and hope that the state government tows in line eventually. Hahaha! If wishes were horses…

Before I chronicle my journey as a festival manager for Crater Literary Festival Enugu, I would like to acknowledge that before I started Crater Literary Festival, some individuals in Enugu had come together to create and organize an Enugu literary festival. In fact, I was privileged to be part of two different groups but unfortunately none of them went through with the plan.

In July 2017, I woke up one day and while carrying out my daily tasks, I mulled over the possibility of organizing a literary festival in Enugu. The more I thought about it, the more it began to look like a decent idea but the problem was, I have never organized anything –not even a Sunday school gathering –and I had no money.

If there is anything I had learnt in those literary festival groups I belonged to, it was that money was important for events like this. So it was either I get sponsors or persuade my m/billionaire father or boyfriend to bank roll me. Problem was, I had none of those.

Anyway, undeterred by the bleak reality before me, I called over a couple of team mates who were assisting me in developing Crater. I told them about the idea and they were game. We were like excited blind goats that could smell the dew on grass but had no idea if the smell was coming from the right direction. Regardless, we fell headlong into it –fund or no fund – with the theme ‘Life in My City’ (Believe me, I still cringe at this theme).

First of all, we established that we were not aiming to be like Ake …yet. We weren’t even sure if people would attend. I mean, its books! Who cares about people coming together to listen, read books and recite poetry? Ahyaya! We had no idea. Liber Book Club alone wasn’t enough to make it look like anything was happening. But we had to make it work.

So Amanda Madumere, Florence Ugwu, Nnanna Okpanku , Oluchi Mbah and I got to work. Since we were starting small with a target crowd of 30, we drew a budget and found the best deal we could get on everything we needed. I reached out to the Enugu State Library Board and sought their permission to use their field. I wanted an outdoor event since it was harmattan season and I wanted it to have a Coachella kind of feel.

Hahaha. First mistake!

I called in a lot of favour and reached out to friends and family (immediate and extended). God bless them all. I raised sixty thousand Naira which adequately covered the food (cooked by Florence Ugwu and Amanda Madumere), snacks, drinks, canopy, and chairs. Everything was ready.

For speakers, we carefully selected them across different areas: Library (Dr.Mrs I.J Ibegbulam), Publishing ( Mr Asomugha of Abic Publishers), Writing (Nnamdi Anyadu, Writer, friend and member of Liber Book Club), Oral Literature ( Amarachi Attama who was later represented by her assistant). We also reached out to some spoken wordartists who graciously agreed to perform: Chizi, Ihuoma Stephen, and the UNEC theatre group, Joyful Family Theatre.

For the authors, we put out a call on social media for interested authors to hold their book reading and got wonderful authors. Abigail Anaba who read her book ‘Switching Play’ , and Chinyere Anoke who read her non-fiction book ‘Single, fruitful, fulfilled ‘ turned up for the festival and brought their A game with them. I won’t forget Richard ‘Richie’ Asiegbu of Urban radio who graciously anchored the festival despite his tight schedule. We also held a literary competition for our first e-anthology but only a few entries were worthy of publishing as an e-book so we ended up publishing the few good ones on the Crater blog.

On the 2nd of December, 2018, the maiden edition of Crater Literary Festival held at the Enugu State Library Board. Of course, entry was free but we encouraged attendees to come with at least one book for donation to the Enugu state library board. A good number of the attendees complied; others smiled and murmured their excuse. The ushers smiled back and offered them seats nonetheless. Nothing spoil!

The festival went smoothly and we finished our program in good time. Some attendees hung around afterwards to discuss with authors and speakers. According to them, they all had a nice time and looked forward to another festival in 2018. I was elated and in high spirit till I discovered that we neglected one important aspect of every event.

WE DID NOT SET UP A REGISTRATION DESK. TRANSLATION: NO EMAIL OR PHONE NUMBER OF ANY OF THE 33 ATTENDEES. Rookie Alert!

“It's one thing to talk to a vet about something, but when you're
talking to a fellow rookie going through the same struggles you
are, you kind of understand it and you grow together like that.”
― Kyle Kuzma

Encouraged by the attendees of the first Crater Literary Festival, I decided to stick out my neck once again. This time around, I wanted something bigger than the first festival. It wasn’t going to be a one day festival. We were going to make it two days.

Now, I needed funds. God knew I had exhausted my favour bank in 2018. Started with Google search and found some grants. I applied for some whenever I came out of the haze called procrastination. Weeks later, emails started to trickle in and the response was of two kinds: No reply and ‘We are sorry to inform you that your application was not selected…’ Only two were kind enough to tell me the reason I wasn’t selected. ‘One literary festival was not a good enough track record,’ they said.

Silly me, silly me. I had already gathered a team and there I was with no money for a festival which I promised would be bigger. To explain better, with funding, festival coordinators can get trending and hottest authors who would pull their own crowd to the festival. Their aura makes a fan out of even non-literary people.

It’s amusing to watch but hey! Bless their hearts.

Undeterred once again, we proceeded with plans and set the theme ‘Landscape of Creativity’. This time around I reached out to the growing Enugu Literary Society, Association of Nigerian Authors, Enugu Chapter, and the biggest Art festival in South East ‘Life in My City Art Festival (LIMCAF)’. Hahaha I know what you’re thinking and I wish I could say it’s a 100% coincidence that our 2017 theme is the same as that of LIMCAF.

Enugu Literary Society gave us access to their members. So before we knew it, we had all slots covered for performers. Budding publishers from Lagos reached out and requested for book reading slots for their authors. We held a literary competition and made an e-anthology for the festival. Our panel sessions and panelists were selected,contacted and confirmed.

Now back to fund. Our target audience was 80, so we drew a budget and it would cost us a three hundred and twenty –four thousand Naira to carry out a successful festival. We took a look at our options and decided to crowd fund. We believed we had something good going and that somehow, we would find individuals gracious enough to donate and support to the festival. We were right. We got a few but good donations. At first, even with over a hundred retweets, we didn’t get any money except for words of encouragement. However, we got a request from someone who wanted to award a literary prize in honour of her mother who loved to read. Mrs Paula Chinwe Okafor Prize for Creative Non-Fiction was born. This was huge for us. We planned the award and disseminated the information. The awardee wanted to ensure we were transparent in our dealings and we opened our lean books. Apart from the cash prize of a fifty thousand Naira for the award, the awardee also donated a Hundred Thousand Naira to the festival. The ministry was moving. Now we had something to start.

One night, for no reason at all, I decided to tweet a story about a woman who had lost her brother in the civil war and the effect it had on her and her family. I ended it with #FictionAt12am.

Mehn! Unexpectedly, that twitter thread racked in numbers. The thread went viral. It was scary and exhilarating for me considering how I closeted I was about my writings (Some of my articles are signed off with a pseudonym).

Why am I mentioning this thread? Wetin concern am with the festival?

Well, one Saturday morning I got a call from a strange number. The person on the line had read the thread and had checked my profile. She ( although at the time I had assumed I was dealing with a male. Patriarchy, yay!) had seen my go-fund plea and because she enjoyed my thread, she pledged a hundred thousand Naira to the festival.

I was stomped. I couldn’t believe it. Just like that, a total stranger donated because of a Twitter thread. I was over the moon because it made me appreciate the under-utilized skill I have.

Two hundred thousand Naira out of a budget of three hundred and twenty –four thousand Naira. That was good. I have to explain something. Festivals are expensive and because there are not many foundations funding literary festivals in Nigeria, a lot of us seek government sponsorship. Our budget was for a mini festival centered around the Enugu and south east community. All I wanted to do was promote the local creative people in Enugu and south east. I felt that bringing internationally acclaimed writers would eclipse the local ones who are struggling to gain recognition. If
I had planned on bringing big names, our budget would have run in millions.
However, I’m a firm believer in starting small especially since this was new to most people in Enugu. My plan was: hold a festival, sample opinions, and see how well the festival is received before restructuring the concept.

We got a total donation of two hundred and eighty-three thousand Naira for the festival. It was good but not enough so we had to trim and call in some favour once again. Mr Ken Ike aka the Slam master and coordinator of Enugu Literary Society graciously gave us the Sam Nwaneri Hall with access to sound equipment at a good discount. I have to mention that he has been of good support to the festival and literary activities in Enugu.

On the 7th and 8th of December 2018, the festival held successfully despite a few hiccups which I have to mention. For every event I hold, I learn a huge lesson from unexpected areas. This time around, I learnt it from a good number of my ‘team members’ who let me down in every way you can imagine. Few of them showed up and helped in any way they could. Unfortunately for me, law school happened and they had to leave. Others who showed up, albeit reluctantly, but I appreciate the few times they graciously assisted. I wasn’t paying anyone so I had no hold on them. This I understood and decided to carry my burden myself. I made a call for volunteers and got the help I needed. Unfortunately at the time, the damage had already been done on my body. As a result, I fell ill on the second and last day of the festival. It was the worst thing that could have happened to me. Having emerged winner of the 2018 Fate

Foundation/Facebook Digital Entrepreneur in Enugu, I was to fly to Lagos on the 9th of December for the final national pitch. I was so ill that I could hardly remember the events of the festival let alone travel for a pitch that I wasn’t prepared for. It was horrible.

Only a few people took notice of my condition at the festival because I did my best to mask the fact that I was dying. A friend of mine, Festus Adibe drove me from the festival to a pharmacy to pick drugs so that I could at least manage myself for the rest of the day. It helped. I was under so much stress that year.

In addition to the festival, we collaborated with LIMCAF and held a mini art exhibition which was curated by Ifedilichukwu Chibuike. I never expected the work that came with it, nevertheless it was a good training and experience for me. I learnt that one does not just hold an art exhibition just for the heck of it. I planned a mini art exhibition without contacting or inviting potential buyers. The artists who displayed laughed and forgave my naivete. I was also given me a crash course on hosting art exhibitions.

2018 Crater Literary Festival Enugu was successful but despite the encouraging comments of our 147 attendees, I was reluctant to host another edition of the festival in 2019. I take my health serious, so any little health scare I get makes me wary of any activity that could trigger it again. Crater Literary Festival isn’t an international event, yet the work that goes into it can be back breaking. As a result of the past stress I had in planning the first two, I decided against hosting Crater festival in 2019. I intended to rest and plan better for a 2020 festival.

"Rest but never quit. Even the sun has a sinking spell each
evening. But it always rises the next morning. At sunrise, every
soul is born again."
― Unknown (Poor chap)

Months passed in 2019 with my unwavering decision on planning the 3rd edition of the festival. However, in one of my discussions with my good friend, Dr Emmanuel Adukwu, creator of the prestigious Africa Week UK festival in Bristol, he asked about my plans for 2019 festival. I gave him reasons for not pursuing it that year and he simply said ‘you’ve hosted two consecutive crater literary festivals, why stop now? You host it in December which means you’ve had enough rest.’ He also suggested a collaboration between our two festivals. A festival that could serve as a bridge for creatives in each continent to connect.

Africa Week UK festival just as its name implies is a week celebration of Africa and Africans in University of West England, Bristol. It provides the opportunity for diverse ethnicity to get acquainted with and connect to Africa. It promotes African literature, arts, theatre, music, food. It was an opportunity for me to ease Crater Literary Festival Enugu into an international scene…so I grabbed it and began work immediately.

They say third time’s a charm, right?

Unfortunately for me, this change in plan happened in July. This meant that most grant and sponsorship windows for 2019 projects had closed. Once again, I had looming money issues. In addition to the international guests (courtesy of Africa Week UK) who had expressed interest at the possibility of attending the festival ―at their own expense― I also got emails from ...https://thecraterlibrary.com/2020/03/20/one-bulb-at-a-time/

I know what you’re thinking. Is she going to organise a 4th edition?

The answer is ‘yes, I am’.
The plan had been to host an international festival this year but Coronavirus had its own plan for humankind.
However, i remain unshaken and will channel my energy to hosting a Virtual Crater Literary Festival.

Therefore, if you are interested in being a part of 2020 Crater Literary Festival Enugu, Do not hesitate to leave a comment or email us at litfest@thecraterlibrary.com.


This is #MyEnuguStory. Let’s make it yours too.







Adachukwu Onwudiwe
Festival Manager,
Crater Literary Festival Enugu

We get quite a number of emails from budding authors who want to know the advantage of publishing an e-book over the usual hard/softback; how e-books are marketed and its financial implications.
So, I have decided to share the advice I give them.
I hope it answers someone's question.
Advantage(s) of E-book over a Print Copy
E-books are cheaper to make (if you can design an e-book cover, format and typeset, it would cost you next to nothing). In terms of distribution, it has wider reach because it is available online. The problem with this is that it can easily be pirated if you put it on a platform without good security measures. Also, a purchaser can choose to share with his network, and before you know it, copies of your books are all over the place without the money being in your pocket.
Ideally, people ought to express interest in purchasing a print book after reading the e-copy because the content is that good and they want to own a book they can display. But I advise people ( especially independent authors) who really want to have both formats (soft and print) to print and aggressively market their book for 6 months before uploading the e-copy on a secure platform.
Some authors make the mistake of uploading their books on sites where it can be downloaded for free, and on sites where their books can be purchased. Readers will always go for the free stuff.
With e-books you do not always need a publisher but I advise against it even though I understand the hesitation towards the idea.
Anyway, it all depends on how far you want to go with your book. If you want publicity, book tours and book chats, a publisher can make that happen, but if you only desire to put up your book on a secure and transparent online platform and get your royalties without a middle person, then feel free to be your own publisher.
How are e-books marketed?
All online publishers insist that they have a unique approach to marketing e-books but at the end of the day, they are mostly the same. A lot of them offer editing, proof reading, typesetting and e-book cover design services for free or at a small fee. Some demand exclusive right to be the only platform that markets your book. I advise that even though it's not a bad offer, one should be careful with such platforms. They need to prove their commitment to you ( by assuring you security and transparency) before you give them that right.
Most times, with these platforms, you are your own publicity officer. With the number of publications they have, they cannot afford to publicize a particular e-book for a period of time, so you are encouraged to use your social media platforms and network to advertise your book with the platform's link.
Most of them charge a 20%-30% commission for each sale of your e-book minus the charge for creating the e-book for you. Research the platforms to see what they offer before making your final decision on where to upload your e-book.
Financial Implications of e-book and its marketing
None really... and even when there is, it's cheap when compared to print books. Avoid any platform that insists on being paid to market your book. Platforms tat offer commissions are way better because no matter what, they will also work for their money.
I hope this helps. Have a great week and please do stay safe.
If you're also looking for style guide that will help you format your fiction or non-fiction e-book, visit https://thecraterlibrary.com/crater-library-and-publisher-style-guide/?fbclid=IwAR3KdlY0t-mqLekXnG2zU0qQo5r7UmL2l3ZeOz0QCpUPWI0mUqgywqNIDn4

check out rare onitsha market literature via www.thecraterlibrary.com and also get to publish your work.

Publish with us via www.thecraterlibrary.com

As a writer or author, your goal should be to make your work available at all times. This is where libraries come in. As a People's University, libraries exist to provide access to resources that people might find hard to access or purchase.
This is where Crater Library & Publisher comes in. As a digital library, authors and writers can upload, curate, display and make their e-books available either for free or at an affordable price.